Trevor is a researcher, scientist, artifact investigator, and presenter whose work explores zero-point energy, ancient civilizations, forbidden history, and anomalous artifacts that challenge conventional explanations of the human past.
Trevor was introduced to Frank Rogala through Nassim Haramein, and his work has intersected with advanced physics, resonance research, and frontier-science circles connected to the deeper questions of energy, matter, consciousness, and ancient knowledge. His background and relationships have placed him in rare conversations with researchers willing to examine evidence that sits outside the normal boundaries of academic archaeology.
Trevor recently drew significant attention through his appearance on the Acid For Squares podcast, in an episode presenting artifacts described as depicting extraterrestrial beings, UFOs, alien life, and non-human intelligence interacting with humanity in antiquity. That conversation brought wider attention to his private collection and to the larger question of whether unusual objects may preserve evidence of contact, advanced symbolism, or knowledge that has been excluded from the accepted historical record.
At Disclosure in Mackinaw, Trevor will bring new data, never-before-exposed perspectives, and emerging information regarding the composition, age, and mystery of these objects. He has been working with leading scientists specializing in polymer and radiation research, adding a new layer of technical inquiry into what these artifacts may be made of, how they may have been formed, and why their physical properties may matter.
His work sits at the intersection of artifact investigation, ancient mysteries, disclosure, and frontier science. Rather than treating unusual objects as isolated curiosities, Trevor approaches them as possible fragments of a much larger story involving lost civilizations, advanced materials, symbolic technologies, and evidence that may not fit easily inside the accepted timeline of human history.
For attendees, Trevor’s presentation offers a rare chance to examine a controversial and visually compelling body of evidence through a more technical lens. If these artifacts are authentic, what are they made of? How old are they? What do their symbols and materials suggest? And why do some of the most provocative questions about disclosure appear not only in the sky, but in objects buried, preserved, and passed down through hidden channels?
Trevor’s presence at Disclosure in Mackinaw adds an important bridge between ancient artifact research, advanced materials analysis, radiation questions, resonance science, and the possibility that the physical evidence of a much larger story may already be in human hands.